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Sabine DehnelSabine Dehnel (*1971) geht in ihrer Arbeit ber einsame Routen und weite Strecken. Malerei und Fotografie stehen bei ihr nicht im krftemessenden Wettbewerb, sondern in einem sich wechselseitig befruchtenden Dialog: Der Weg der Umwandlung fhrt vom Trivialfoto und der daraus resultierenden Collage ber die Malerei zum nachgebauten lebendigen Bild einer temporren Installation, ehe er schlielich in einem C Print endet. Die Malerei wird dabei in das Medium
Sabine Dehnel (*1971) geht in ihrer Arbeit über einsame Routen und weite Strecken. Malerei und Fotografie stehen bei ihr nicht im kräftemessenden Wettbewerb, sondern in einem sich wechselseitig befruchtenden Dialog: Der Weg der Umwandlung führt vom Trivialfoto und der daraus resultierenden Collage über die Malerei zum nachgebauten »lebendigen Bild« einer temporären Installation, ehe er schließlich in einem C-Print endet. Die Malerei wird dabei in das Medium zurückversetzt, aus dem sie ursprünglich hervorgegangen war. Aus diesem transformierten Nachbild entwickelt Dehnel dann ihre seriellen Inszenierungen, die sich immer weiter von der malerischen Vorlage entfernen. Dies geschieht entweder dadurch, dass die im groben Anschnitt abgebildeten Personen vor unveränderter Kulisse ihre eigene Geschichte fortschreiben oder indem sie in ihrer starren Pose verharren, aber in immer neue Raumzusammenhänge gebracht werden.Anderswo versammelt die Werkserien der Jahre 2002–2006 und verdichtet so die symbiotische Allianz von Malerei und Fotografie.
Ausstellungen: Kunstverein Ludwigshafen 17.11.2006–7.1.2007 · Columbus Art Foundation, Ravensburg 26.1.–23.3.2007 · Filipp Rosbach Galerie, Leipzig 16.9.–17.11.2007Sabine Dehnel (*1971 in Ludwigshafen) absolvierte 1993-1999 eine Studium der Bildenden Kunst und Philosophie an der Akademie für Bildende Künste der Johannes Gutenberg-Universität Mainz; 1999-2000 Meisterschülerin. 2000-2001 MFA Program am Otis College of Fine Arts and Design, Los Angeles. Zahlreiche Stipendien und Auszeichnungen. Seit 1999 national und international Einzelausstellungen. Die Künstlerin lebt und arbeitet in Berlin.
Sabine Dehnel (*1971 in Ludwigshafen) absolvierte 1993-1999 eine Studium der Bildenden Kunst und Philosophie an der Akademie für Bildende Künste der Johannes Gutenberg-Universität Mainz; 1999-2000 Meisterschülerin. 2000-2001 MFA Program am Otis College of Fine Arts and Design, Los Angeles. Zahlreiche Stipendien und Auszeichnungen. Seit 1999 national und international Einzelausstellungen. Die Künstlerin lebt und arbeitet in Berlin.
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4.8 ★★★★★
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Product Reviews
★★★★★ 5
Timely delivery.
Format: Paperback
I got the ordered item within the time. The book was in good shape
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Reviewed in the United States on May 4, 2025
★★★★★ 5
Worth it
Format: Paperback
Excellent, needed for class
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Reviewed in the United States on June 11, 2021
★★★★★ 5
Another fine Piece
As with Bowlbys' other works, this classic furthers the hypothesis of negative emotional influence on the continued development of humans as we integrate with our social environments. I liked it...in fact, liked all of Bowlbys' writings.
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Reviewed in the United States on September 12, 2013
★★★★★ 5
Five Stars
A MUST HAVE BOOK FOR anyone interested in parenting! or have kids.
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Reviewed in the United States on March 20, 2015
★★★★★ 4
A Groundbreaking Classic on Young Child Development
Format: Paperback
This first volume of John Bowlby's trilogy on Attachment and Loss expands and builds upon an article he published in 1958 in the International Journal of Psycho-Analysis titled "The Nature of the Child's Tie to His Mother", which is perhaps a more telling title than that of the book itself. Attachment, as a technical term in behavioural biology, is first used in describing instinctive mother-following behaviours of young mammals and birds (first observed and reported in delightful accounts by the Austrian ethologist Konrad Lorenz in the 1930's).
By comparing data collected during and after the Second World War by childcare workers and researchers in U.K. and North America, Bowlby found a striking common pattern of distressed behaviours among young children between the ages of one and three when separated from mother for an extended period: first in Protest, then Despair and finally Detachment - a psychopathological state when a child becomes socially uninitiated and withdrawn, even to his returning mother. Bowlby then postulates that physical proximity to a mother-figure is essential to a child's development of cognitive capacities, especially during a sensitive period around six months to two years after birth. Attachment behaviours, like those of young mammals and birds, are present in the human baby too. This has since led to a blossoming of research activities in development psychology and psychoanalysis, as well as neurophysiology recently, which supplies much fresh evidence about the young brain and its phenomenal maturing in the first two years. Attachment theory has since contributed significantly to understanding of our own selves, informed the age-old philosophical debate on nature or nurture, and brought our attention to fundamental issues in child-rearing such as sensitive periods of development, the difference between attachment (conducive to security) and dependence (symptomatic of insecurity), the distinction between anxiety from separation and fear of the unfamiliar, etc.
This new edition is a timely reprint of a classic account of attachment theory as formulated by the originator. While primarily an academic work, with a few chapters deemed more for an academic jury (about Freud and instinctive behaviours, etc.), it is mostly very readable, and certainly captivating to those with access to young babies, of whose behaviours are given an enlightening perspective. This volume focuses on attachment, with subsequent volumes on its loss in temporary and permanent terms respectively.
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Reviewed in the United States on September 4, 2003
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